Free PDF They Live (Cultographies), by D. Harlan Wilson
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They Live (Cultographies), by D. Harlan Wilson
Free PDF They Live (Cultographies), by D. Harlan Wilson
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Born out of the cultural flamboyance and anxiety of the 1980s, They Live (1988) is a hallmark of John Carpenter's singular canon, combining the aesthetics of multiple genres and leveling an attack against the politics of Reaganism and the Cold War. The decision to cast the professional wrestler "Rowdy" Roddy Piper as his protagonist gave Carpenter the additional means to comment on the hypermasculine attitudes and codes indicative of the era. This study traces the development of They Live from its comic book roots to its legacy as a cult masterpiece while evaluating the film in light of the paranoid/postmodern theory that matured in the decidedly "Big 80s." Directed by a reluctant auteur, the film is examined as a complex work of metafiction that calls attention to the nature of cinematic production and reception as well as the dynamics of the cult landscape.
- Sales Rank: #1937381 in Books
- Published on: 2014-12-16
- Original language: English
- Number of items: 1
- Dimensions: 7.00" h x 4.50" w x .50" l, .0 pounds
- Binding: Paperback
- 128 pages
Review
The book They Live reframes the film "They Live" through creative, compelling critique. It makes an elegant case, time after time, for taking this film seriously as well as science fiction cult cinema more broadly.
(Extrapolation)This book... [allows] the reader to delve beyond the surface of this cult classic and explore the film's deeper message.
(San Francisco Book Review) Review
Wilson gets what makes They Live live. With all the virtuosity of 'Rowdy' Roddy Piper performing an inverted atomic drop, he grapples with the many dimensions of Carpenter's movie. From the critical, political and schizoanalytical to the simulacral and tonsorial, his short book chews bubble gum and kicks ass.
(Mark Bould, author of Film Noir: From Berlin to Sin City and editor-in-chief of Science Fiction Film & Television)Wilson's They Live is an ideal contribution to the cultographies project. Written by a critic fully aware of relevant discourses such as wrestling, fan culture, and historical reception past and present, this is a very stimulating and still timely analysis of one of John Carpenter's key films. Highly recommendable on all levels, especially those of enjoyable and informative reading.
(Tony Williams, Professor/Area Head of Film Studies in the Department of English at University of Illinois-Carbondale and author of Hearths of Darkness: The Family in American Horror Film and The Cinema of George A. Romero) About the Author
D. Harlan Wilson is a professor of English at Wright State University.
Most helpful customer reviews
2 of 2 people found the following review helpful.
Great dissection of a great 80's movie
By Brian Tasler
An excellent addition to the Cultographies library. Wilson's critique of They Live is both academic and entertaining. Drawing on the obvious connections of the consumer-era Reagan 80's along with Carpenter's love of Pro wrestling Wilson makes a strong case for taking another look at this overlooked 80's cult classic. While I doubt most people that remember or love this movie will put as much thought as the author does into critiquing Carpenter's true intentions of making the film the book does a great job of analysis on the hidden meanings within the film.
Some of the analysis that I enjoyed most included Wilson's notion of "Becoming-Piper" within the film whereby the protagonist (Rowdy Roddy Piper for those who have not seen the film) goes into action mode and essentially becomes a parody of other 80's action heroes such as Stallone or Arnold. Wilson also does a good job of analysis on the extended fight scene of the film which is what most people will remember most from the film.
All in all this book is a good, quick read that is both well-reasoned and entertaining.
1 of 1 people found the following review helpful.
D. Harlan Wilson's 'They Live Cultography' goes deeper than ...
By Bill Stratford
D. Harlan Wilson's 'They Live Cultography' goes deeper than Lethem's 'Deep Focus' take on the same film. It's a pleasure to read.
0 of 0 people found the following review helpful.
VISIONARY AUTOPSY
By Chris Benton
Wilson's astonishing autopsy of the beloved cult classic is a tour de force of philosophical inquiry, a haunting and hilarious diagnosis of masculine pathology run amok in the nightmare simulation of Capitalist America. He first introduces us to THE BECOMING-PIPER, a marvelous schizo-analytical device that unleashes the hyper-violent shadow-self of wrestler 'Rowdy' Roddy Piper from the host-character of Nada into the unconscious arena of Capitalist Media. Most powerful, (for me anyway) was Chapter 5, THE PATHOLOGICAL UNCONSCIOUS, where Wilson puts the theoretical gun on the table, pointed towards a disturbing possibility that Nada-Piper is indeed a psychotic prodigal son, descended from a sovereign, pathological order of symbolic fathers. A riveting work.
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